about gods and monsters
Thinking about the whole “gods and monsters” concept and how this might have been shaped by my catholic upbringing. In the original play (Becoming a Rose), a reference to “Incubus” was made in the “Dreams and Fantasies” scenes and, although the concept of how these - dreams and fantasies - are part of the “illusory world of theater”, I would like to explore further into how these “characters” are just “masks” that allow us to free ourselves in the theater.
Thinking about the whole “gods and monsters” concept and how this might have been shaped by my catholic upbringing. In the original play (Becoming a Rose), a reference to “Incubus” was made in the “Dreams and Fantasies” scenes and, although the concept of how these - dreams and fantasies - are part of the “illusory world of theater”, I would like to explore further into how these “characters” are just “masks” that allow us to free ourselves in the theater.
about revisiting “becoming a rose”
Becoming a Rose was without a doubt an intimate and honest exposé of my personal and creative worlds. Every day since this virtual theater piece was streamed live a little over two years ago, I keep going back creatively or emotionally to a scene from the play. Revisiting this crucial moment in my personal and creative journey seems not only inevitable but also necessary.
Becoming a Rose was without a doubt an intimate and honest exposé of my personal and creative worlds. Every day since this virtual theater piece was streamed live a little over two years ago, I keep going back creatively or emotionally to a scene from the play. Revisiting this crucial moment in my personal and creative journey seems not only inevitable but also necessary.